![]() From 1800 up to about 1806: Beethoven’s hard-to-decipher handwriting, his tendency, even in manuscripts intended for the publishing house, to correct heavily, more and more confronted publishers with unresolvable problems.But this can hardly compensate for the loss of the manuscripts. 31) in other cases, there exist prints that were corrected by the original publisher (e.g., op. In a few cases, Beethoven had printed compositions that were particularly erroneous reprinted in other publishing houses (e.g., op. ![]() For an Urtext edition, this means that we are dealing here with only one source for the edition – the first print. They got lost in the publishing houses, especially when these firms ceased operations. ![]() And since Beethoven had still not achieved his fame of later years, his autographs were treated less carefully. Proofread copies were therefore unnecessary, so they were not even produced. On the one hand, Beethoven obviously submitted his autographs to his publishers as engraver’s models. There are probably various reasons for this.
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